sat真題

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2008年10月SAT真題解析

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Section2

1.此題為簡單同義重復，空格處因填寫與“significantimpact”

同方向的詞會，答案C（influential）正確。

2.此題邏輯關系為同義重復，二空與“someoneshroudedin

mystery”同方向，故答案B正確。

3.題干中冒號提示本題邏輯關系為同義重復。空格處因填與“she

wrotemorethan…”同方向詞匯。答案C（aprolific）正確。

4.題干中一共三重邏輯關系。借助于邏輯關系詞even，一空與

conventional同義重復，二空借助that從句同義重復。一二空之間

借助nevertheless反義重復。故答案E正確。

5.題干中兩個for均提示本題為同義重復中因果關系。空格處應填

“implementingsweeping…”內容同方向的詞匯。答案D

（precipitately）正確。

Questions6-10arebadonthefollowingpassages.

Passage1

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Everyage,afterhisown,hasgoneinarchofShakespeare.

sapooryear

fortheShakespearebusinesswhentwoorthreemoredonot

toknowwhohewas

hopingthatthenarrativeofhislifewillsomehowexplainthe

himbutwho

tthataman

withoutauniversityeducation,aglover'ssonfromasmall

Warwickshiremarkettown,couldhavewrittentheplaysand

poemsthathavespokentogenerationsofreadersand

theatergoers?

Passage2

peare'shometown,hasbecomeanalmost

sacredplaceofpilgrimage,withtouristswaddlingreverently

aroundthespectacularlytastelesscathedralofthe

essionablefewof

themareevenmovedtodofftheircapsordiscardtheirice

peare'sfamiliarhigh-domedhead,animage

thatisquitepossiblynothimatall,hasadornedeverything

e

presidinggeniusofthenationalspirit,akindofheroina

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thimindustrieswouldcrashandideologies

enrumoredthathealsowroteplays.

分析：Passage1對Shakespeare是正面的態度。而Passage2對

Shakespeare是負面的態度。從首句的tastelesscathedral就可以

看出。整個P2比P1要難以看懂些。P2的每一句都是對

Shakespeare的一個諷刺，不明白為什么去悼念他，諷刺整個經濟

對他的依賴，諷刺人們對關于他評論的盲從。

horofPassage1wouldlikelyclaimthatStratford's

havingbecome"analmostsacredplaceofpilgrimage"(lines

e2)is

(A)inappropriategivenShakespeare'shumblebeginnings

(B)atoddswithShakespeare'scurrentstatusamongliterary

scholars

(C)unsurprisinggiventheintencuriosityShakespeare

inspires

(D)unusualinanagethatcommercializesShakespeare

(E)puzzlingconsideringhowsmallthetownofStratfordis

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分析：P1觀點對Shakespeare正面態度，選擇一個符合P1想法的

就為答案。

eofPassage2

ismore求異/態度

(A)optimistic

(B)appreciative

(C)impartial

(D)uncertain

(E)irreverent

分析：P2對Shakespeare是負面態度與諷刺。選表達負面的選項。

17,"familiar"mostnearlymeans詞匯題

(A)sociable

(B)presumptuous：ofapersonortheirbehaviour)failingto

obrvethelimitsofwhatispermittedorappropriate

(C)ordinary

(D)clolyacquainted

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(E)easilyrecognized

分析：Familiar：wellknownfromlongorcloassociation；

(familiarwith)havingagoodknowledgeof

alntenceinPassage2isbestinterpretedas推理

題

(A)alf-deprecatingacknowledgmentthattheauthorisnot

anexpertonShakespeare

(B)afactualobrvationabouttheextentofthepublic's

knowledgeofliterature

(C)ahumorousadmissionthatagreatdealremains

unknownaboutShakespeare'slife

(D)aderisivecommentaboutthepublic'slackofreal

engagementwithShakespeare'swork

(E)asnidecommentaryonthepublic'swillingnesstobelieve

rumors

ssagessupportthepointthat求同題

(A)manyofthegenerallyaccepteddetailsabout

Shakespeare'slifeareprobablyinaccurate

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(B)Shakespearewasageniusofthehighestmagnitude

(C)fewpeopletodayactuallyreadShakespeare'swork

(D)verylittleisknownaboutcertainperiodsofShakespeare's

life

(E)athrivingindustryisdependentonShakespeare'slifeand

work

分析：第一篇文章NowitisapooryearfortheShakespeare

businesswhentwoorthreemoredonotshowupon

bookstoreshelves.第二篇文章Shakespeare'sfamiliar

high-domedhead,animagethatisquitepossiblynothimat

all,hasadornedeverythingfromTVbeercommercialsto

Britishcurrency.分別都提到Shakespeare對經濟的重要性。

Questions11-16arebadonthefollowingpassage.

Thispassageisadaptedfromacontemporarybookabout

jewelry.

InthewakeoftheIndustrialRevolution,whenmass

productionbecametheprideandjoyofnineteenth-century

entrepreneurs,afast-growingmiddleclassreveledinthe

luxuryofconsumergoods,includingjewelry,madeavailable

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rousgmentsofthepopulation

wantedtodemonstratetheiraffluence,adevelopmentthat

providedapowerfulstimulustothejewelryindustryinboth

EuropeandtheUnitedStates.

在工業革命蘇醒之際，大規模生產變成了十九世紀企業家的驕傲與自

豪。快速發展的中產階級讓奢侈品變成了大眾消費品。百姓中富裕的

人們想要顯示自己的富裕。而這一因素的存在也快速激勵了美國與歐

洲的珠寶行業。

Inthisavalancheofmassproduction,manyartistsand

artisansoftheArtsandCraftsmovementfeltthatthehuman

touch,respectformaterials,andthesatisfactionofafine

y,likeotherarticles,was

becomingimpersonal,carelesslyconstructed,

labeledromanticand

idealistic,someartistssoughttoproduceindividually

conceivedandexecutedpiecesinworkshopsituationssimilar

ntedtoproduce,

handmadejewelryfromless-expensivematerialsforthe

generalpublic,yetwiththesamecareandcommitmenta

medievaltimestherehadbeenartisansintownsandvillages,

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workingforordinarypeopleonaone-to-onebasis;the

adherentsofthemovementfelttherewasanurgencyto

onsidered

particularlyimportantthatartistsbeinvolvedtoensurethe

productionofmoremeaningfulobjects,whethertheybe

pottery,furniture,or,especially,erialud

injewelrywasprizedforitsdecorativeandsymboliceffects,

ingthecluttered

overornamentationofthepast,artistsinfluencedbyArt

Nouveausoughttodrawpopularinterestawayfrom

machine-madeproductsbyincorporatingmoredelicateand

fluidnaturalforms—peacockfeathers,flowerstalks,vine

tendrils,eveninctwings.

在這個大規模生產的爆發中，在這場藝術手工變革的很多藝術家與手

工制作者覺得人們內心的觸動，對物質的高要求，與完成品的完美感

都全部丟失。珠寶，就如同其它的商品一般，變得不再是個人化（而

是大眾消費化）變得粗糙的做工，乏味的涉與。盡管有些藝術家依然

保留那些浪漫主義情懷與完美主義的心境，但是大多數的他們在工廠

所造就的珠寶盒在那些中世紀的商會中所造的珠寶沒什么兩樣。（這

里強調這時候工廠的藝術者與中世紀的商會所造的珠寶都不好。）

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他們（應該指的是那些工作的藝術家）想要造出為大眾設置的廉價材

料的珠寶，但是一個皇家的珠寶設計師獲取用同樣的關注與承諾在為

貴族做珠寶。在中世紀時期，在城市與村莊有很多手工制造者，為基

層百姓工作。那些這種運動的執著者覺得很有必要回歸這種原始的手

工對應個人需要的關系。覺得非常重要的是：讓藝術者確保產品的意

義是很重要的，無論這個產品是瓷器，家具，還是珠寶。

珠寶中所運用的材料為一只被贊譽它裝飾性與象征性的效果而并不

是內在的價值。藝術家反對過去風格中的復雜的過于裝飾，他們受新

藝術形式的影響追求優雅的自然形式來吸引大眾，讓大眾原來大規模

生存。

ingtothepassage,mass-producedjewelryand

thatproducedbyfollowersoftheArtsandCraftsmovement

werealikeinthatboth細節題

(A)couldbemadequicklyoilalarge-scalebasis

(B)couldbecustom-designedforaparticularindividual

(C)wereintendedtobeaffordable

(D)wereaswellcraftedasthejewelryofthewealthy

(E)werecarefullymarketedproducts

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分析：文章首句講到madeavailableateconomicalprices與第二

段Theywantedtoproduce,handmadejewelryfrom

less-expensivematerialsforthegeneralpublic都表示想讓產品

是能讓大眾消費得起的。

erentsoftheArtsandCraftsmovement,theguild

conceptreprented推理題

(A)avulgardistortionofartisticprinciples

(B)aregressivethrowbacktomedievaltimes

(C)apracticalmeanstorealizetheirideals

(D)asymboloftheprivilegethatonlyroyaltycouldenjoy

(E)aninnovativeapproachtomanufacturingluxuryitemson

awidescale

分析：此題屬于難題。得確定題干中的adherents其實就是原文中

的manyartistsandartisansoftheArtsandCrafts

movement。。。與someartistssought。。。再看有guild的

句子：someartistssoughttoproduceindividuallyconceived

andexecutedpiecesinworkshopsituationssimilartotho

ofmedievalguilds。從次句會發現這里將medievalguild與

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workshop做了類別。那么medievalguild與workshop具備同樣

是性質。

Atthesametime,theArtNouveaustylewasinspiringartists

andartisansalloverEurope,acrosstheAtlanticandback

winglinesandgracefulforms,drawingnaturein

itsperfectionandportrayingidealizedimages,pervadedall

areasofdesign,fromfabricsandfurnituretocutlery,aswell

tofadirectoppositionto

unbridledmassproduction,ArtNouveauwasintendedto

bringaestheticvalueswithinthereachofthepublicandinto

sitwasinjewelrythatArtNouveau

estylereprentedareaction

againsttheimitationofstylesfromearlierperiodsandthe

erialudin

jewelrywasprizedforitsdecorativeandsymboliceffects,not

ingthecluttered

overornamentationofthepast,artistsinfluencedbyArt

Nouveausoughttodrawpopularinterestawayfrom

machine-madeproductsbyincorporatingmoredelicateand

fluidnaturalforms—peacockfeathers,flowerstalks,vine

tendrils,eveninctwings.

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與此同時，新藝術風格正在激烈整個歐洲的手工制造者與藝術家恢復

過去的樣子。完美的流線，優雅的格調，畫出物質本來美的一面侵襲

這這個設計風尚。這個風尚蔓延著從布料，到家具，到畫幅，到雕塑。

新藝術的產生是由于大規模生存的驅使，新藝術想將新的美學感注入

一定領域。可能是在珠寶領域，讓新藝術到底了頂峰。在這個領域的

風格代表了反感模仿的反應。

pinnacle

noun

ahighpointedpieceofrock

尖錐形巖石

■asmallpointedturretbuiltasanornamentonaroof

（屋頂上作裝飾的）小尖塔；尖頂

■themostsuccessfulpoint;theculmination

頂峰，巔峰，極點，頂點

s28-46,theauthorindicatesthatthedesignsof

ArtNouveauobjectswereinspiredby細節題

(A)naturalimages

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(B)mythicalfigures

(C)abstractideas

(D)functionalobjects

(E)elaboratedevices

分析：第三段最后一句話drawpopularinterestawayfrom

machine-madeproductsbyincorporatingmoredelicateand

fluidnaturalforms—peacockfeathers,flowerstalks,vine

tendrils,eveninctwings.表達是重自然現象中吸取創造靈感。

40-42("value")indicatethatthe

materialsthatweremosthighlyprizedforArtNouveau

jewelrywerethothat細節題

(A)werethemostconvenienttoobtain

(B)werebothfashionableandprecious

(C)hadbeentreasuredoverthecenturies

(D)couldbemass-producedeconomically

(E)werebeautifulandmeaningful

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分析：有定位句子字面意思可理解prizedforitsdecorativeand

symboliceffects是為美感。

TheidealsoftheArtsandCraftsmovementwereincomplete

sympathywiththeconceptsofArtNouveau,andartistsand

artisansimplementedtheminpracticalwaysbyforming

smallgroups,guilds,andworkshopsinBritain,Germany,

piteofallefforts,theArtsandCrafts

movementcouldnotsurviveitslackofwidecommercial

ethemovementreliedonanunaggressiveand

"uncommercial"approachtobusiness,itnevercaughton

,

themovementproducedfar-reachingrepercussionslong

ernationalassociations,its

idealsofartists'involvementwiththecrafts,oftheintegrityof

artistsandartisans,andofsocialawarenessweretoinspire

entiregenerationstocome.

藝術與手工運動與新藝術風的理念是一致的，藝術家們切實的貫徹這

樣的風尚。但是盡管他們很努力，這個運動與還是確定經濟誘惑而以

失敗告終。

因為這個運動依靠于非激進非商業化的首段進軍商業，他從來沒有被

他們的消費者所吸引。但是，在這個運動完結后，它還是造成了深遠

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的影響。它的國際化聯盟，它的理念深入了手工業，藝術家，手工制

作者，社會的意識，這種理念激勵這全新一代的來臨。

53-55("intended")primarilyindicate

that細節題

(A)artistsofthedayyieldedtooeasilytoprofit-making

motives

(B)ArtsandCraftsartistsdidnoteffectivelymarkettheir

products

(C)theArtsandCraftsmovementwascompromidbythe

IndustrialRevolution

(D)thewealthywerenotopentoexperimentingwith

innovativedesignsinjewelry

(E)anincreasinglyculturedmiddleclassweakenedthe

influenceoftheArtsandCraftsmovement

分析：定位句的上一句話theArtsandCraftsmovementcould

notsurviveitslackofwidecommercialappeal.

與定位句都表明沒有在市場上奏效

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sageimpliesthatwhattheArtsandCrafts

movementandArtNouveauhadincommonwastheir

推理題

(A)purpoofinstructingpeoplehowtocrafttheirown

jewelry

(B)purpoofproducingalternativestomass-produced

goods

(C)desiretoattractpatronswhowouldfundtheirprojects

(D)plantoproduceaccessoriestomatchpeople'swardrobes

(E)hopeofproducingjewelrythatreplicatedclassicaldesigns

分析：全文來看，兩種形式是理念想切合的藝術觀，同時也是為了出

臺一種去當下（大規模的生產）不同的產品理念。

Questions17-24arebadonthefollowingpassage.

Inthispassageadaptedfromanovel,aCanadianwoman

allyfrom

China,thefamilytraveledtoIrvine,Ontario,Canada,where

theparentsopenedarestaurant,theDragonCafe.

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AsayoungchildIneverreallythoughtaboutmyparents'

livesinIrvine,howsmalltheirworldmusthaveemed,

aymy

edthe

samecustomerscomeformeals,formorningcoffee,for

arentsone

ttledintoanuneasyanddistant

ove,theirtenderness,

theygavetome.

peningparagraph,thenarratoremphasizes

primarilywhichofthefollowingaboutherparents?主旨題

(A)Theirworkethic

(B)Theirevolvingrelationship

(C)Theirroutinelives

(D)Theirresourcefulness

(E)Theirdependability

分析：根據第一段字面意思可選擇出答案。并且文章的Formy

parentsonedaywaslikethenext.表達出作者觀察的生活每一天

都是日復一日的過著的。

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tenceinline10("hanging")rves

primarilyto目的題/句子

(A)lamentasituation

(B)introduceacontrast

(C)challengeaclaim

(D)emphasizeadesire

(E)reiterateapoint

分析：聯系下文，下文表達，生活變化了，特別是后文表達自己的逐

漸的變化與千萬促成鮮明對比。

etallerandbigger,my

olIbeganto

Englishlikeanative,

d,thought,anddreamed

arslaterand

IwouldnolongerrememberatimewhenIdidn'tspeaktheir

atherandUncleYatstill

erspokeonlyafew

totranslateconversationstheyhadwiththe

customers,switchingbetweenEnglishandChine.

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WheneverIsteppedoutsidetherestaurantitemedIwas

enteringaworldunknowntomyfamily:school,church,

friends'hous,ithard

toimagineayearwithoutwinteranymore,ahomeother

thanIrvine.

marypurpoofthecondparagraph(lines

10-24)isto目的題/段落

(A)provideinsightintothemotivationsofthenarrator's

parentsanduncle

(B)recapturethepleasurethenarratorexperiencedin

learninganewlanguage

(C)emphasizetheextentofthetransformationthenarrator

undergoes

(D)describethecomplexinterrelationshipsinthenarrator's

family

(E)revealthenarrator'spreferenceforacoldclimateovera

warmone

分析：作者在此段表達，自己慢慢的逐步改變，逐步融入新的文化里。

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Formymother,though,

Irvineshelivedamongstrangers,unabletospeaktheir

ershetalkedabouthappytimes,theywere

ulsmile

wouldsoftenherfaceasshetoldmeaboutsleepingand

playingwithhersisterintheatticaboveherparents'

eshowedmeapieceofjade-greensilkcloth

enterwas

awhitelotusfloatinginvaryingshadesofbluewater,the

embroiderysofinethatwhenIhelditatarm'slengththe

enhelpingherstoreawaymy

summerclothesinthebrownleathersuitcafromHong

KongwhenInoticedapieceofshinymaterialinthecorner

kitoutandspreaditon

herlap."ingto

haveitmadeintoacushion,butthenmylifechangedand

'sallI

havethatremindsmeofher,"shesaid."Maybe,Su-Jen,one

dayyouwilldosomethingwithit."Iadmiredtheclothsome

more,thenshecarefullyfoldeditandstoreditbackinher

suitca.

tenceinline25("China")rvesto目的題

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(A)introduceakeyideadevelopedlaterinthepassage

(B)initiateabriefdigressionfromthestoryline

(C)illustrateageneralizationmadeinthepreviousparagraph

(D)pointtoasituationanalogoustooneexperiencedbythe

narrator

(E)foreshadowanunexpectedincident

25-27("language")suggestprimarilythat

inhernewcountrythemotherexperiencedfeelingsof態度題

(A)dread：anticipatewithgreatapprehensionorfear

(B)confusion

(C)intrigue

(D)isolation：theprocessorfactofisolatingorbeingisolated

(E)irritation

ditwassolong

describedherlifewithsuchclarityandvividnessthatIknew

assolittlein

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dthingsshe

foundwererelatedinsomewaytoChina:anariafroma

Chineopera,aletterfromarelativebackhomeorfrom

AuntHai-LaninToronto,writteninChine,a

familiar-lookingscriptthatIcouldn'treadandthathad

nothingtodowithmylifeinCanada.

ThereweretimeswhenIfeltguiltyaboutmyownhappiness

ometoCanadabecauofme,butIwas

theonlyonewhohadfoundahome.

s46-50('insideher"),themother's

memoriesofChinaareportrayedas變相態度題

(A)distantyetenduring

(B)occasionalyetoverwhelming

(C)livelybutconfud

(D)joyousandhopeful

(E)wistfulandindistinct

分析：定位句子表達母親舊時的記憶越來越稀少，但是對她而言是彌

足珍貴的。

第23頁

msmentionedinlines52-55hadmeaningforthe

motherbecauthey原因推理

(A)introducedhertoaworldrichinculture

(B)suppliedherwithfamiliarassociations

(C)werethefewremainingkeepsakesfromherlifeinChina

(D)helpedconnectthenarratorandhermother

(E)providedrelieffromthemonotonyofherworkroutine

分析；物品對母親有意義是因為這些母親非常熟悉的東西。

fthefollowingbestcharacterizesthenarrator's

developmentoverthecourofthepassage?結構題

(A)Shegrowsapartfromtheculturaltraditionofherparents.

(B)Sheovercomestheguiltshefeltabouthernewfound

happiness.

(C)ShebeginstoviewtheinhabitantsofIrvinefromher

mother'sperspective.

(D)Shebecomeslessandlessinterestedinhermother's

stories.

第24頁

(E)Shecommunicateslessandlesswithherparents.

分析：全文宏觀來看，答案選A。

Section6

1.題干中beconsideredto提示此題為同義重復關系。故空格處應

填discovery的同方向詞匯。答案D（accomplishments）正確。

2.題干中無明顯邏輯反義詞，此題應為同義重復題目。一二空所填

詞匯方向相同。分析選項得出，答案B正確。

3.題干中becau提示本題為同義重復中因果關系。空格處應填

“involvedintellectualstimulation”同方向的詞匯。故答案B

（cerebral）正確。

4.題干中無明顯邏輯反義詞，此題應為同義重復題目。一二空所填

詞匯方向相同。分析選項得出，答案C正確。

5.題干中冒號提示本題邏輯關系為同義重復，故一二空方向相同。

同時二空又about后面的peculiar同方向，經過比較后，答案E正

確。

6.題干中such說明本題邏輯關系為同義重復。空格處應與

generosity同方向。故答案B（magnanimous）正確。

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7.題干中冒號提示本題邏輯關系為同義重復，故二空應與冒號后面

整句話同向重復。一空前因為有only形容，故一空詞匯與二空詞匯

方向相反。答案C正確。

8.題干中冒號提示本題邏輯關系為同義重復。空格處應該填寫與

“nsitivitytodelicate”同向重復詞匯。答案C（nuance）正確。

Questions9-10arebadonthefollowingpassage.

Acenturyago,opponentsofwomen'ssuffrageintheUnited

Statesscoffedatthenotionthatextendingthevotetowomen

wouldmakeanydifference."Womenwillvotewiththeir

husbands"san

argumentmadeintheabnceofevidence,aswomendidnot

ncewomenwonthevote,

rearchershavebeenkeepingclotrackoffemalevoting

behavior.A"gendergap"invotingbehaviorhasbeenfoundin

nited

States,the1994and1996electionsshowedthelargestgaps

everbetweencandidatesfavoredbywomenandthofavored

bymen.

marypurpoofthepassageisto主旨題

(A)describetheevolutionofagendergapintheUnitedStates

第26頁

(B)prentaconcihistory,ofthewomen'ssuffrage

movement

(C)showtheinaccuracyofapredictionaboutwomen's

suffrage

(D)discusstheresistancewomenfacedinacquiringthevote

(E)explainthedifferencesinvotingbehaviorbetweenmen

andwomen

分析：文章第三句表達出觀點，以前對女性投票權的說法是錯的。因

為當時沒有投票權。后文擺出例子，表明女性投票權擁有后的區別性。

assageprentsit,the"commonlyaccepted

wisdom"(line4)assumedthat假說題

(A)womenwouldhavethesameviewsasmenonmost

subjects

(B)women'svoteswouldbecancelledoutbymen'svotes

(C)manywomenwouldchoonottovoteinelections

(D)manyhusbandswoulddiscouragetheirwivesfromvoting

(E)marriedwomenwouldnotvoteindependentlyoftheir

husbands

第27頁

分析：原文結論句，選項為前提。

Questions11-12arebadonthefollowingpassage.

Forpeoplewithsynesthesia,aconditioninwhichthens

getmixedup,lanation

forthisnsorycrossoveristhatsynesthetes,peoplewith

synesthesia,aresimplyexperiencingchildhoodmemories

hepersonplayedwithrefrigerator

r

explanationisthatsynesthetesareexperiencingtheresultof

,

wehavenowidentifiedwhereinthebrainsuchcrosswiring

alsodeterminedthatsynesthesiacan

occurifthewiringisfinebutthebalanceofchemicalsthat

controlbrainactivityisskewed.

marypurpoofthepassageisto主旨題

(A)explorepossibleexplanationsforaphenomenon

(B)comparetwosomewhatrelatedphenomena

(C)prentatheoryforaphenomenonandthencritiquethat

theory

第28頁

(D)tracetheevolutionofanintriguingphenomenon

(E)discussanexperimentthatillustratesanuncommon

phenomenon

分析：首句引入話題一種現象，下文分為兩個層次分別討論此種現象

的可能原因。

12,"fine"mostnearlymeans詞匯題

(A)pure

(B)keen

(C)thin

(D)nsitive

(E)satisfactory：(ofevidenceoraverdict)sufficientforthe

needsoftheca

Fine：

Questions13-24arebadonthefollowingpassage.

Thefollowingpassageisfroma1992publicationinwhichthe

author,aphysicist,discuss"reality"andthemodelsthat

humanbeingsutounderstandtheuniver.

第29頁

Perhapsyou'veenthepainting:apipe,depictedwith

photographicrealism,floatsabovealineofcarefulscriptthat

reads"Cecin’estpasunepipe"—"Thisisnotapipe."Rend

MagrittepaintedTheTreacheryofImagesinthe1920s,and

peoplehavebeentalkingeversinceaboutwhatitmeans.

DidMagritteintendtoremindusthatareprentationisnot

theobjectitdepicts—thathispaintingis"only"apainting

andnotapipe?Suchaninterpretationiswidelytaughtto

collegestudents,tewenttoanawfullot

oftrouble—carefullylectingadress-finishpipeof

particularlyelegantdesign,makingdoz女人每天喝綠茶好嗎 ensofsketchesofit.

takingitaparttofamiliarizehimlfwithitsanatomy,then

paintingitsportraitwithgreatcareandskill—justtotellus

hercanvas,TheTwo

Mysteries,Magritteivenmoreinsistent:theoriginalpipe

painting,completewithcaption,isdepictedassittingonan

ealthatrestsonaplankfloor,butabovethatpainting,to

theleft,hoversacondpipe,larger(orclor)thanthe

havehereisa

slythesmallerpipeisa

tisthecondpipe,theone

第30頁

thatloomsoutsidethereprentedcanvas?Andifthattoois

butapainting,thenwheredoesthepaintingend?

s7-16("knew"),theauthorimpliesthat

collegeteachersportrayMagritte'sintentionsinawaythat

(A)valuemotionalismoverrationalargument

(B)emphasizescreativityandexecutionofform

(C)ismorescientificthanartistic

(D)isjudgmentalanddismissive

(E)issimplisticanddebatable

分析；M的畫幅是想提醒人們一個已經知道的事情。

hordescribesMagritte'sactivitiesbeforehe

paintedthepipe(lines11-15)mostlikelyinorderto目的題

(A)contrasttheactivitieswithMagritte'stechniqueinother

paintings

(B)defendMagritte'sworkagainstclaimsthathispaintings

aretooabstract

第31頁

(C)suggestthatMagrittewantedtodemonstratesomething

morethantheobvious

(D)illustratetheuniversalappealofMagritte'swork

(E)emphasizethecarefreenatureofMagritte'sartistry

分析：定位句之間，M表示這幅畫是想告訴人們一個表面看起來的

事情并非如此。

Itemstomethattherootsoftheparadoxresideinthe

lookatarealisticpainting—a

portraitofahistoricalfigure—weacceptbyconventionthat

theportraitreprentsarealpersonandactualobjects.

Whenthatconventionisdenied,asinMagritte’spipe

paintings,thepointisnottoremindusthatpaintingsarenot

ntistochallenge

thebeliefthateverythingoutsidetheframeisreal.

"paradox"mentionedinlines21and26refersto指

代題

(A)anabstractpainter'sconvincingdepictionofascientific

phenomenon

第32頁

(B)anartist'suofphotographytochallengetheconceptof

reality

(C)Magritte'suofsciencetoconveyartisticcreativity

(D)Magritte'scarefulreprentationofanobscureobject

(E)Magritte'ssimultaneousportrayalofarealandacreated

worldwithinapainting

分析：定位句字面意思可選擇E.

tence"Thatmuchistruebuttrivial"(line32)

specificallyreferstowhichidea?指代題

(A)Manymodernpaintingsdenyconvention.

(B)Paintingsareopentomultipleinterpretations.

(C)Realisticpaintingsportrayactualobjects.

(D)Apaintingofanobjectisnottheobjectitlf.

(E)Anartistcannotpossiblyreprentanobjectexactly.

分析：定位句后文表達Thepointistochallengethebeliefthat

everythingoutsidetheframeisreal.畫幅的目的是想表明，在理

念框架以外的理念也會是真實的。

第33頁

TheenemyofartistslikeMagritteisnaiverealism—the

doggedassumptionthatthehumannsoryapparatus

accuratelyrecordstheoneandonlyrealworld,ofwhichthe

th,of

cour,isthatnobodycangrasprealitywhole,thateach

person'suniveristosomeextentunique,andthatthis

circumstancemakesitimpossibleforustoprovethatthereis

butonetruereality.

Ifmodernartistshavelaboredtocallattentiontothefactthat

ourunderstandingofrealityislimitedandvariegated,sotoo

oplearesurpridtohear

inkofscienceasacollectionofhardfactsmined

frombedrockreality,throughaprocessasuncreativeascoin

entists,however,havecometoknowbetter.

Astronomersunderstandthateachactof

obrvation—photographingagalaxy,takinganultraviolet

spectrumofanexplodingstar—extractsbutasmallpieceof

thewhole,andthatamontageofmanysuchimagesisstill

onlyareprentation,ntum

physicistsgofurther:theyappreciatethattheanswersthey

obtainthroughexperimentdependsignificantlyonthe

questionstheyask,sothatanelectron,askedifitisaparticle

第34頁

o腐乳雞翅 rawave,willanswer"Yes"tobothquestions.

Neuroscientistshavelearnedthatthebrainisnomonolith,

usharborsmanyintelligences,andinsofaras

myvariousmindstakevaryingviewsofreality—interms,say,

ofspatialrelationshipsversuslanguage,orofntimental

versusrationaleducation—Icannomorelegitimatelyimpo

asinglemodelonmylfthanIcanexpecttoimpoiton

others.

nypeopleconsider"hardfacts"(lines46-47)

wouldmostlikelybeviewedbytheauthoras變相態度題

(A)necessary

(B)solid

(C)disturbing

(D)tentative：notcertainorfixed;provisional

(E)difficult

分析；原文的“manypeople”是認為有些真理為真理，但是作者

的理念是，在人們思維概念以外的東西也有是真的，所以作者會對這

里的“manypeople”認知的“hardfacts”持有的審視的角度。

第35頁

hormentions"coincollecting"(line48)asan

activitythat

(A)isstraightforwardandrelativelyunambiguous

(B)wasonceridiculedforitsirrelevancetolife

(C)entailsahighlevelofattentiontodetail

(D)canprovidegratificationtothowhoengageinit

(E)exemplifiesthespiritofbothscientistsandartists

分析：聯系上一題，這里的行為是一個直截了當，并且目睹明確的。

"montage"(line52)ischaracterizedas

(A)morecomprehensivethanasingleimagebutlessrealistic

(B)morenearlycompletethanasingleimagebutstill

inadequate

(C)lessrealisticthanapaintingbutmoreaccessible

(D)lessaccuratethanasingleimageandmoredifficultto

obtain

(E)lesscomprehensiblethanapaintingandmoredifficultto

achieve

第36頁

分析：“montage”這里舉例實質支持本段核心觀點。

54."appreciate"mostnearlymeans詞匯題

(A)enjoy

(B)recognize

(C)grateful

(D)greatlyadmire

(E)rapidlyvalue

werto"bothquestions"(lines57-58)issignificant

becauitindicatesthat

(A)scientistshavehistoricallybeentrainedtoaskquestions

thathavemultiplerightanswers

(B)thenatureofelectronsisnolongerinquestion

(C)scientificconclusionsareshapedbythequeriespodin

experiments

(D)scientists,likeartists,attempttodepictevents

realistically

第37頁

(E)scientistsneedtopursueextensiverearchbeforethey

cancometovalidconclusions

分析：原文表達對于科學結論的擁護

imthat"thebrainisnomonolith"(lines58-59)

mostnearlymeanswhichofthefollowing?推理題

(A)Humanintelligenceisultimatelylimited.

(B)Thebrainconsistsofimmennumbersofdistinct

structures.

(C)Therearemultiplewaysinwhicheachofuscanperceive

theworld.

(D)Thehumanbrainisstillbafflingtoscientists.

(E)Reprentingthehumanbrainaccuratelywill欣賞 require

additionalrearch.

Thisisnottosaythateveryopinionabouttheuniver

dervequalattention,asifschoolteachersshouldbe

enjoinedtogiveequalweighttotheflat-Earththeory,

onetheoryofthe

univercandervedlygainpermanentpredominancedoes

第38頁

,to

understandthelimitationsofscience(andartandphilosophy)

canbeasourceofstrength,emboldeningustorenewour

archfortheobjectivelyrealeventhoughweunderstand

reflectonaremark

madetomeoneeveningoverdinnerbyafamousscientist:

"Theworldisafantasy,solet'sfindoutaboutit."Tome,that

heroicstatementencapsulatesthespiritofscience:toekto

learnsomethingwhileacceptingthatonewillneverknow

everything.

hor'slistinlines67-68("

extraterrestrials")ismeantto目的題

(A)illustrateavarietyofextremeviews

(B)supportanalternativeteachingmethod

(C)affirmtheimaginativetendenciesofchildren

(D)encourageincreadopen-mindedness

(E)disparagetheconceptofindividualreality

分析：目的題例子支持觀點觀點在段首

第39頁

astparagraphofthepassage,theauthorimplies

thateducationshould推理題

(A)emphasizethelegitimacyofalltheories

(B)belimitedtowhatcanbeprovenobjectively

(C)distinguishbetweenscientificandartisticmethodology

(D)promotetheimportanceofhavingathorough

understandingofmanysubjects

(E)instilladesiretolearndespitethelimitationsof

knowledge

分析：最后一段表達宇宙是無窮的要求無盡的探索

Section8

1.題干中先用一對比關系than確定整體句意方向為“concerned

withcontributiontoscience”而非“earningpublic

acclaim”。且一二空后面說的是“earningpublicacclaim”同方

向的短語“receivedherforachievements”，故一二空應該填寫

拒絕贊賞一類詞匯。根據選項分析得出，答案B正確。

第40頁

2.題干中冒號提示本題邏輯關系為同義重復，但前半句中有否定詞

never，故空格處應與后半句中“stuckclotothesubject”反義

重復。答案D（digress）正確。

3.此題為簡單同義重復。describesthassth，前后兩個事物應

該同方向。空格處所填詞匯應該與原句中“peacefulreunion”同

方向重復。故答案A（truce）正確。

4.題干中becau說明本題為同義重復里的因果關系。故一二空要

與后半句中“analysisinahandfulsoil”同向重復。答案E正確。

5.題干中incontrastto提示本題為反義重復關系。故空格處應填

寫vague的反方向詞匯。答案D（lucid）正確。

6.題干中and提示本句為同義重復中的并列關系。空格后的quite

highly對應于后半句中的mostofall，故空格處應填寫giving的同

方向詞匯。答案E（m阿膠的作用 unificent）正確。

Questions7-19arebadonthefollowingpassages.

Thefollowingpassagesdiscussanimportantissueinurban

life.

Passage1

第41頁

Lifeinapedestrian-friendlycitycushionstheslightsofthe

,though,andovertime,thelesionstomy

landscapeofthe1970sandthe1980soccupiedmywritingas

orealizethatthedesignsIsaw

oftenliterallyhoudmorecarsthanhumanoccupants:that

buildingtobuilding,placetoplace,officecomplextocomplex,

dwellingtodwelling,everyinstitutionandeverystructuredid

obeisancetotheautomobile.

'spedestriansarenotable—or

notorious—fortheirasrtivestanceagainsttheautomobile.

Indeed,theword"jaywalking",

thiswalkinghub,however,

the1980ssawthemotorvehiclecreateasub-cityofgarages

andparkinglots,gnawthesidewalk,andslickthecity's

doorsandblackholeentrances

gbythecity'snewerbuildings,

thepedestrianisnowaslikelytobeambushedbyacar

slidingfromsomeundergroundgarageastobevisually

assaultedbygap-toothedparkinglotsandeeriegarage

facades.

第42頁

"PlanforPeople,NotJustAutos"wasthetitleofanarticleI

wroteaboutthisnewarchitecturethatgenuflectstothe

atchedthisdeferencetotheautomobile

ter

time,Ihavewitnesdcitiesandotherenvironmentsbecome

asphaltencrustedastheurgetoholdthecarsofshoppersor

omistDonald

Shoupsummeditup,"Formnolongerfollowsfunction,

fashion,d,formfollowsparking

requirements."'shorizontalneedsatrest

andinmotionmeanthatarchitectureiscarbound.

Forustheneedncompasssome200millionmoving

vehiclestraveling2trillion-plusmilesayearonroadsand

ramps,dandthe

archforparkinghavebecometheultimatequests,anew

urbanaxiomhavolved:ifacityiasytoparkin,it'shard

tolivein;ifit'asytolivein,it'shardtoparkinArchitecture

criticLewisMumfordpredictednolessmorethan40years

ago:"Therighttohaveaccesstoeverybuildinginthecityby

privatemotorcarinanagewheneveryonepossssucha

vehicleisactuallytherighttodestroythecity."

第43頁

ssagesarcprimarilyconcernedwiththe求同題

(A)problemsfacedbyBostonpedestrians

(B)impactofautomobilesoncitylife

(C)economicneedsofcontemporarycities

(D)difficultiesinkeepingautomobilesincities

(E)viewsofarchitectsaboutcitydesign

分析：兩邊文章都講述交通工具對人類生活的影響

fthefollowingstatementsbestcharacterizesthe

relationshipbetweenthetwopassages?互聯題

(A)TheauthorofPassage2providesadditionaldatain

supportoftheargumentofferedbytheauthorofPassage1.

(B)TheauthorofPassage2arguesagainstaproposalput

forthbytheauthorofPassage1.

(C)TheauthorofPassage2prentsamore

evenhandedconsiderationofaphenomenonharshly

criticizedbytheauthorofPassage1.

第44頁

(D)TheauthorofPassage2providesapoint-by-point

respontotheissuesraidbytheauthorofPassage1.

(E)TheauthorofPassage2offershistoricalinsightintoa

practicediscusdbytheauthorofPassage1.

分析：第一篇文章作者明顯強烈反對，第二篇文章有褒有貶。

horofPassage2wouldmostlikelyarguethatthe

"lesions"(e1)互聯題

(A)areanunfortunatesideeffectofunderutilizingpublic

transportation

(B)caneasilyberectifiedifattentionisdevotedtothe

problem

(C)arefarmorecommonthanmanypeoplebelieve

(D)arenotsolelytheresultoftransportationandtraffic

needs

(E)aretheproductofthepublic'suninformedpolitical

choices

分析：第二篇文章作者對交通工具的態度是，雖然有不足之處，但是

還是有優點的。

第45頁

horofPassage1mentions"jaywalking"(line12)

primarilyinorderto目的題

(A)supportacharacterization

(B)defendapractice

(C)criticizeanaltitude

(D)defineaterm

(E)describeatransgression

分析：定位句意思表達一個特征。

itudeoftheauthorofPassage1toward"this

deference"(line24)isprimarilyoneof態度題

(A)shame

(B)disdain

(C)bemument

(D)defensiveness

(E)unconcern

分析：作者是反對交通工具干擾人們的生活。所有態度是負面的。

第46頁

estcharacterizesthetoneofDonaldShoup's

e1("

requirements")?態度題

(A)Laudatory：(ofspeechorwriting)expressingpraiand

commendation

(B)Despondent

(C)Repentant：feelorexpresssincereregretorremorabout

one'swrongdoingorsin

(D)Wry：usingorexpressingdry,especiallymocking,humour

(E)Earnest

分析：引號里面表達出D所關注的：要不了多久，整個城市是為車

而建立，而不是為人而建立。

Passage2

Todayeveryonewhovaluescitiesisdisturbedby

automobiles.

Trafficarteries,alongwithparkinglots,gasstations,and

driveways,arepowerfulandinsistentinstrumentsofcity

mmodatethem,citystreetsarebroken

第47頁

downintoloosprawls,incoherentandvacuousforanyone

aracterisblurreduntileveryplacebecomes

morelikeeveryotherplace,

theareasmostdefeated,usthatcannotstandfunctionally

alone—shoppingmalls,orresidences,orplacesofpublic

asmbly,orcentersofwork—areveredfromoneanother.

Butweblameautomobilesfortoomuch.

Suppoautomobileshadneverbeeninvented,orthatthey

hadbeenneglectedandwetraveledinsteadinefficient,

convenient,speedy,comfortable,mechanizedmasstransit.

Undoubtedly,wewouldsaveimmensumsthatmightbe

,wewouldhave

hadesntiallythesameresultsIjustblamedoncarsdueto

n

automobileswouldhavetobeinventedorwouldhavetobe

rescuedfromneglect,fortheywouldbenecessarytospare

peoplefromvacuity,danger,andutterinstitutionalization.

Thereasonforthisisthatitisquestionablehowmuchofthe

destructionwroughtbyautomobilesoncitiesisreallya

respontotransportationandtrafficneeds,andhowmuch

ofitisowingtosheerdisrespectforothercityneeds,us,

第48頁

tybuilderswhofaceablankwhenthey

trytothinkofwhattodoinsteadofmassivebuildingprojects,

highwaybuildersandtrafficengineersfaceablankwhen

theytrytothinkwhattheycanrealisticallydo,daybyday.

excepttrytoovercometraffickinksastheyoccurandapply

whatforesighttheycantowardmovingandstoringmorecars

inthefuture.

Goodtransportationandcommunicationarenotonlyamong

themostdifficultthingstoachieve;theyarealsobasic

impossibletotakeadvantageofmultiplicityofchoicewithout

rmore,theeconomic

nideas,rvices,skills,

andpersonnel—andcertainlyingoods—demandfficient,

erof

mechanizedvehiclescanmakeiteasiertoreconcilegreat

concentrationsofpeoplewithefficientmovementofpeople

tomobilescanhardlybeinherent

,weshouldcthatthecarisa

potentiallyexcitingandliberatinginstrumentforcitylife.

45,"disturbed"mostnearlymeans詞匯題

第49頁

(A)displaced

(B)baffled：totallybewilderorperplex

(C)destabilized：uptthestabilityof;cauunrestin

(D)troubled

(E)disrupted

Disturb：interferewiththenormalarrangementor

functioningof

47-56inPassage2("another")rve

primarilyto目的題

(A)tracetheoriginsofaphenomenon

(B)minimizeapurportedproblem

(C)mockaprevailingsituation

(D)defendanintendedresult

(E)describeacurrentsituation

分析：聯系首段，首段表達當今所有人都被目前的交通工具所困擾，

下一段表述當今交通如何干擾大家的生活。所有這里表述的是一個情

況。

第50頁

horofPassage1wouldmostlikelyviewthe

descriptionof"Noplace"e2,asan互聯

題

(A)unfaircharacterizationofavexingissue

(B)acc況且造句 uratereflectionofastateofaffairs

(C)amusingexaggerationofanunusualproblem

(D)illogicalconclusionfromtheavailableevidence

(E)unfortunatedigressioninacompellingargument

分析：第一篇作者會認為51-53行的句子就是交通工具干擾人們的

現象。

e2("

institutionalization"),theauthorprentsa寫作手法

(A)historicalcomparison

(B)universalmandate

(C)hypotheticalscenario

(D)scientificobrvation

(E)logicalfallacy

第51頁

分析：開頭句一詞“suppo”表達后續場景都是假設的。

ontextofPassage2,theprimarypurpoofthe

lastparagraph(lines80-93)isto目的題/段落

(A)illustratewhypeoplechootoliveincities

(B)emphasizewhymultiplicityiskeytoeconomicsuccess

(C)pointouttheimportanceofcarstocities

(D)describehowcitiescanbebetterdesignedto

accommodatecars

(E)noteparallelsbetweenthetransportationand

communicationindustries

分析：定位句表達都是交通工具對人們生活的重要性。

18-21inPassage1("facades")and

lines49-51inPassage2("afoot")both

primarilyrveto目的題

(A)illustrateaproblem

(B)suggestanaction

(C)defendanalternative

第52頁

(D)describeanapproach

(E)criticizeabehavior

分析：定位句分別都是表達交通工具對人民造成的不便

e1mostdirectlychallengeswhichofthefollowing

statementsfromPassage2?互聯題

(A)"Todayeveryonewhovaluescitiesisdisturbedby

automobiles."(lines45-46)

(B)"Citycharacterisblurreduntileveryplacebecomesmore

likeeveryotherplace,alladdinguptoNoplace."(lines51-53)

(C)"Goodtransportationandcommunicationarenotonly

amongthemostdifficultthingstoachieve;theyarealsobasic

necessities."(lines80-82)

(D)"Tradeinideas,rvices,skills,andpersonnel—and

certainlyingoods—demandfficient,fluidtransportation

andcommunication."(lines86-88)

(E)"Infact,weshouldethatthecarisapotentiallyexciting

andliberatinginstrumentforcitylife."(lines91-93)

第53頁

分析：第一篇文章作者對交通工具是極度負面的，所有最為反對的是

E選項的內容。

Section5

1．C

A.不能成為一個從句結構，不能接在consicler后面

B.同A

D.加入“對于這些材料的選擇過程”主語應為人（boards）,此處it

作代詞單復數錯誤

E.同D，指代“boards”應用復數

2．B

后面缺少賓語；2.后半句過于羅嗦

C.相比B語句過于羅嗦繁瑣

D.更加羅嗦

E.“itweretobeａｆｆｏｒｄａｂｌe”為將來時，盡管是虛擬語

氣，ｉｆ遵循“主將從現”

原則（此處為主過去將來從一般過去，虛擬語氣）

第54頁

3．B此處“perchedon…head”為后置定語，可理解為戴帽子的

方式

A.從句主語省略說明主從句主語一致，“perchedon?”說人顯然邏

輯錯誤

C.同一句號不能帶兩個完整的句子。應在逗號后加“and”

D.犯與A同樣的錯誤，修飾物的短語被用作修飾人

E.本句語言成分混亂，沒有謂語

4．E

A.用語重復、羅嗦whichiswhere=where

B.一個句號不能出現兩個完整的句子

C.介詞錯誤，應為inwhich

在定語從句中應為狀語成分，不用which引導

5．D虛擬語氣，為對將來的假設

A.對過去事實的假設，與后半句will不符

B.對現在事實的假設，與will不符

C.同A

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E.同一句號不能有兩個完整的句子

6．E

A.主語是reactions，謂語動詞不用單數

B.同A，且后面有to，介詞應用from

C.用ing形式本句就沒有謂語了

D.同C，用定語從句本句無主語，且介詞用錯

Rangefromto…與rangebetween…and…都是正確用法

7．D

A.一個句號不能有2個句子，且前后半句時態不一致

B.一個句號不能有2個句子?

C.沒有謂語，應把depicting改為depicted

E.同C無謂語，且從句應為過去式

8．A

指代sounds應為復數

C.用語重復，去掉it

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h作狀語，perceive沒有賓語

ve不接with，且是人耳聽聲音不是聲音聽人耳

9．D

ned用于形容人，不可修飾laws

ng無主語，總不會是laws破壞臭氧層吧

C.一個句號不能有2個句子?

E.同C

10．C

考同種物體比較

A.挑戰不能與因紐特人作比較

B.同A，且更羅嗦

D.比較物種類不同且than后面邏輯混亂

E.同A

11．C

A.1．第1個that提到when前；2.定語從句引導詞that指代

不明

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B.1．水果與奶酪應被煮沸（spoiled），應用被動；2。霉菌應on

them，指代單復數應一致；3。That指代不明

D.1．have時態錯誤，應為had；2。it指代不明（fruit,cheeor

mold）

時態錯誤；2。They用錯，能殺菌的應為mold

12．B本句無謂語，A作定語從句的一部分，B中“discovering”

應改為“discover”

13．B激發孩子的音樂能力應“通過（by）”播放古典樂曲而不是

“出于（outof）”

14．C從句before中已用過去式，主句應為過去完成時而不是現

在完成時

15．A單復數對應錯誤，主語為3個人，應把“alifeguguard”

改為“lifeguards”

16．EHadifnotbeenfor=ifithadnotbeenfor此句為虛擬語

氣形式

17．A狀語部分形容主語用形容詞（跟后面abitconfud保持

一致）

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18．D單復數對應錯誤，前文是“ahomeworkassignment”,此

處應為“it”

19．E

20．D修飾名詞應用形容詞，把“colorfully”改為“colorful”與

“noisy”保持一致

21．E

22．B“for”后接賓格，“I”改為“me”

23．A主謂不一致，主語為“tworivers”，謂語應為“run”

24．D搭配錯誤，between與and連用

25．E

26．D單復數不一致，主語為“eachof…”，此處應為“its”

27．D比較物種類不同，洞穴（cave）不能與大小（size）比較

28．A固定搭配錯誤。Tendency只與todo連用

29．D單復數不一致，指代“candidates”應用“their”

30．D第一段主要寫記日記反映自己的經歷與想法，塑造人格，而

寫時間長了得書寫痙攣是無關內容，應刪去

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31．CA,B,D語句不通，E中最后一個that指代不明

32．A根據（5）句發現自己的直覺常是正確的“與下文對該事件的

描述，知此處應為舉例子，過去式與后文一致”

33．D(5)～(11)句均是對過去的一件事的描述，應用一般過去式，

（9）句原句的過去將來時不通順

34．C與33題一樣，首先應為一般過去式；C后半句“asIhad

initiallythought”與第（5）句照應

35．E根據（12）句一個同學認為工作無聊與（13）句“我”改變

主意這個工作可知，“我”一開始傾向于相信那個同學的評價

Section10

1．C

A,B,D,E均不能構成完整句子

2．A

B.用定語從句不能構成完整句子

C.用語過于羅嗦，因A簡潔所以選A

無指代，且作為when從句的主語邏輯有誤（不能是it飲食

調節好）

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E.用depending無謂語

3．B

A.狀語從句與主句主語不一致

C.三個動詞全部用ing形式，本句沒有謂語動詞，不構成一個句子

D.狀從與主句主語都應為bear，而本句卻為snoutandlips

E.狀從主語與主句主語不符

4．Cin1925這個時間點確定了應為一般過去式

A.時態錯誤

B.同A，且前后半句時態不一致，時態混亂

ppointingsales不構成任何句子成分，要成并列結構應去

掉its

ointingsales既不作主也不作賓，語句成分混亂

5．A

e已為連詞，不用加and

e前面and應去掉且放在unlikeofhermammals前

unlike…是為突出dunnarts能用

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皮膚呼吸的特點應放在從句中

D.邏輯完全混亂

E.分號表示一句話已完成，后半句不用加becau

6．D

A.（應在scientists后加that），此說法過于羅嗦繁瑣

B.最后的it多余，同A

C.句子過于繁瑣，不夠簡潔

指代glaciation，不用加it

7．B

A.主語為thelist應為單數

CDE均不構成一句完整的話

8．E

one作狀語表示現在持續的動作，用在此處不合適

指代不明

后全為定語成分，主語無謂語，不完整

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D.無謂語動詞，句子成分殘缺

9．E

A.一個句號不能有2個完整的句子

指代不明

C.狀語主語為主句主語people，人們排在杰出先鋒之列顯然與原意

不符

D.分號構成一句話，后半句無主句

*分號可以用來隔開2個完整的句子，做題時可以當做句號

10．A

B.一個句號不能有2個完整的句子

C.1．與事實不符，用虛擬語氣（asthough…）沒有was只有were；

2．無謂語，becoming應改為became

D.同B

無指代（Aus1992屬什么 tralian不能用it指代）

11．C

A.狀語從句與主句主語不一致（狀為demonstrators，主為office）

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B.同A，且不構成完整的一句話（缺謂語）

D.缺少謂語（改成與C相同）

E.同A

12．E

考察平行結構

13．B

A.主語為art單數，不能用are

CDE不構成完整的一句話

14．C

A.B錯誤相同：狀從若主語省略即為狀從與主句主語一致，而用a

few(shows)作為狀從主

語是錯的，主語應為人

D.用語繁瑣，不夠簡潔

E.同A.B且用語繁瑣

作文（考試限時實作）

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Doactions,notwords,revealapersonorgroup’strue

attitudesandintentions?

Whenitcomestotheintentionsofoneperson,bywhat

meanscouldwefigureoutthetrueconnotationhidden

behindthem?Arethowordsprentedinthe

announcementofagroupofesntialsignificance?AsfarasI

amconcerned,itistheacti女生頭像動漫霸氣 ons,ratherthanspeechesthat

alwaysbringpeople’sattitudesandintentionstoview,given

thefactthat“Apicturespeaksathousandwords”.

Averyreprentativeexampleofthispointisthestoryof

NicolausCopernicus,thevanguardofmodernastronomy.

Hisideathattheearthrotatesaroundthesunandhuman

beingsarejustpartofthenaturewassoradicalathistime

thattheRomanCatholicChurchaccudhimofrious

gthathewoulddieifhecontinuedto

tellhistheorypublicly,hetoldliesthatherecantedhis

athoughhe

renouncedinfrontofthechurch,hecretlycontinuedhis

kslikeOntheRevolutionsofHeavenly

ca,r,hefollowedhis

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heartandhecontributedtremendouslytothescientific

hiswordsindicatedthathebetrayedhis

belief,hisactionactuallyprovedthathenevergaveup.

Moreover,commonntellsusthatpeoplecoulddisgui

theirmalignintentionsbymeansoffancywords,thus

increasingtheopportunitytodeliberatelyprovidedeceiving

impression,k

scandalfinallybroke,aftermanyinnocentinfantswhohad

beenfedonmilkpowderproducedbyitwerediagnodwith

tedlythereemedtobenoonequestioning

itsqualityatthebeginningduetocompany’sadvertising

wellknowntoallthatSanlumerelybareitsinterestsas

priority,whichisthetrueandfinallyintentionsforthem,and

Sanluhasrevealedustheiroriginalattitudesthroughthe

ore,whenjudgingapersonoragroup’sreal

intention,wehavetotakeactionsintoconsideration.

Ashasbeenoutlinedabove,actionsspeaklouderthanwor紫朝天椒 ds.

Undeniably,speechesmaytosomeextentrevealone’s

r,wordsmayhaveitsownu,butthe

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featherofapersonorgroup’strueattitudesandintentions

isfledgedintheirrealactions.